Release Party

Release Party

Release Party - Mastering & Distribution

Put that final polish on your mix. Learn the art of mastering, meta-tags and album art, and then get it to land safely in all the right places.

  • Practical mastering for the rest of us
  • Add sheen and polish to your tracks
  • Understanding meta-data and streaming services
  • Add album art, market like a pro, and protect your intellectual property
  • Loudness
  • Monitoring
  • Mix Portability
  • Balance
  • Metadata
  • Copyright
  • Clearance
  • Album Art
  • Social Media
  • Uploading
  • What Happens Next

18 Hours | In-Person: $599 + $200 ($100 early bird) Registration Fee

Testimonials

I wouldn't change a thing about this course. It was ten times better than I expected it to be. The instructor was incredibly informative and kept things fun. I've played with software for a couple of years and thought I got most of the basics down but I definitely was wrong. Great course! I would definitely recommend this course to anybody wanting to learn the production side of music. It was incredibly helpful and left me inspired to make tracks 24/7.

Kristina Bialkowski

I went from knowing pretty much nothing about Logic to knowing how to built loops, work with midi, mix, and actually be able to record the music I write and and arrange on the computer. I'm really excited because Logic Pro has opened up a new world for me as a singer songwriter!

Dawn Red Sun

I am a lot better off than I was months ago blindly watching Youtube tutorials and not knowing what I was doing. The teacher was a great, very patient and understanding, with all skill levels in the room.

Abraham Perrotta

The small class size allowed the instructor time to give us individual attention/feedback. The teaching style was easily adjusted according to the levels in the class. As a very new producer, I never felt left behind. I never would have thought I could make this much progress in just 6 weeks!

Andie Arbogast

This class was great. I've been wanting to learn digital music production and was warned that Logic was one of the most complex and difficult to learn DAW. In only 6 days I think I've learned the program well enough to start producing my own tracks. Not only that but I've left the class with enough excitement to get busy and make some music with my new found knowledge.

Paul Vachier

It was very hands on. the teacher knew a vast amount about this topic and is very informative and clear. He has methods of utilizing teachings that enable us to relate to better understand in what circumstances these methods would be used for productions.

Raymond Casarez

This class was tough for me, as I'm a beginner (and am 48 with not a ton of technical or DAW experience). I wanted to immerse myself, so I could learn as much as possible, but much of the class was still a bit too advanced for me. Darren was fantastic, and I REALLY appreciated the offer to come back and stand in future classes. That makes me feel like I'll definitely get my moneys worth!

William 'John' Bragg

I came into the program with no idea how to work Logic, and after the intensive week, I worked out programming beats, using loops and samples…I feel like I can take my music to the next level now. Thanks :)

Christy Thompson

Great teacher who leaves no stone unturned! After Garnish, I feel that I have the tools to build a strong foundation and begin a career in the music industry.

Daniel Cobos

From the Blog

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    Melodic, lyrical, rhythmic and sonic hooks, where to put them, how many a song needs, and how to write and test one.

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  • Incongruity, Nonsense and Surprise

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  • Logic pro 9 Environment Chord Memorizer: Musical tips

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  • Metaphor, Simile and Analogy

    Comparisons that make lyrics vivid - simile, metaphor, extended metaphor and analogy - how to find fresh ones, how to sustain them across a song, and how to avoid mixing them.

  • Microphone Polar Patterns for Beginners

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  • Pads and Strings

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  • Percussion, Groove and Swing

    Latin, Afro-Cuban, Brazilian, funk, disco and house percussion; shakers, hand drums and accents; clave; layering percussion into a track; and the swing settings that make a groove move.

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    First, second and third person; who the singer is singing to; tense and time; shifting perspective between sections; and writing in character.

  • Programming Drums That Sound Played

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  • Programming Rhythm Guitar

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  • Project: Build a Rhythm Section from Scratch

    The Rhythm Section Pro project - drums, bass, guitar and percussion for one track, programmed to sound played, and a session-ready brief for a real player.

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  • Repetition, Repetition, Repetition

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  • Rhyme and Meter

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  • Rhythm Beyond 4/4: Compound Time, Clave and Odd Meters

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  • Rhythm: Note Values, Syncopation and Feel

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  • Seventh Chords, Extensions and Chord Variations

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  • Symbolism

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  • Synergy: The Marriage of Lyric and Music

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  • Working with Session Musicians

    Who session players are, what they expect from a producer, how to find and brief them, and how fees, royalties and credits actually work.

  • Working with Vocalists

    Choosing the key for a singer, writing in their range, guide vocals and toplines, briefing and recording a vocalist, and keeping a session creative.

  • Write with Soul

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  • Writing Melodies

    Contour, range and steps versus leaps; motifs, repetition and variation; rhythm in melody; chord tones on strong beats; and call and response.

  • Writing and Programming Basslines

    Chord tones, scale tones, passing notes and chromatic approaches; the main types of bassline; fingerstyle, pick and slap; and programming a sampled bass with articulations.