
“The classes were a game-changer. In just a few weeks I was playing at gigs with confidence and getting booked for more. I would never be where I am now without Garnish”
Nikki Pennie
Mixing Music with Creative FX | Mixing Desk by Mr Steve Powell The signal chain is something always at work whether you’re in the studio, playing around with beats on the computer at home or playing a synthesiser live at a gig. If you are purely a performer, your worry with the signal chain ends whe
Read →ALC files store a clip's warp settings, automation, devices and effects - a reusable building block for your own sound library.
Read →Capture retroactively records the MIDI you just played, so an improvisation you never hit record for isn't lost. How it works, and its limits.
Read →Sampling Frequencies & Bit Rates: 96 v 44.1Khz & 24 v 16bit by Stephen Powell I had a conversation recently with a guy who described himself as a “glitch-dubstep-lo-fi composer” He went on to describe a couple of his tracks which turned out to be pretty much what you might expect from such a descrip
Read →Written On Record Store Day by Devious Soul There was a time when the happiest days of many a DJs life was getting home with a fresh stack of unopened wax. Carefully selecting the tunes in the record shop, ensuring you had enough cash for the double pack, wondering what treasures were lurking under
Read →Rebel Sonix's Larry Holcombe on the basics of dubstep production - where the wobble bass comes from, and how to build one in Massive or the ES2.
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