
At Garnish, we don’t just teach software—we teach the art of music production. This boutique-style program is designed for aspiring producers who want to take their music seriously and come away with more than just knowledge. By the end, students leave with their own completed project, a curated personal sound library, and the professional skillset to build a career in music production.
Seattle students take the 360° Garnish Music Academy in a small group at our studio, or live online in the same session with the same instructor, using our specialist music collaboration software, Muse. The city has a deep electronic and independent music scene, and our teachers are part of it.
Whether you’re aiming to break into the industry, build a professional portfolio, or simply refine your creative voice, this program offers the mentorship, tools, and structure to make it happen. Discover qualities that distinguish us, here.
“I took the Garnish class and it opened up my eyes to the fundamentals of production.”
J-Dog (Hollywood Undead)
Yes. Every session runs in person and live online at the same time, so you join whichever suits you and can switch between them.
Your own completed project, a curated portfolio of your work, and a certificate - the year is built around what you are making, not around a syllabus you sit through.
Never more than ten students, so every session is hands-on and every project gets attention.
The tuition for this campus is stated on this page, just above the call to action, with the registration fee and the early-booking discount.
No. The Academy opens at the fundamentals and builds through production, sound design, mixing and mastering to the business side - self-taught producers use it to fill the gaps, beginners use it as the whole road.
A year, at 360 hours of instruction. The schedule skips the major holidays, so the year is designed to be finishable alongside a life.
$14,999 + $500 registration fee ($200 if 14 days before start) | Schedule Skips Major Holidays
Building a playable instrument out of your own recordings: how many samples, where to put the split points, velocity layers, round-robin, and importing third-party libraries.
Read →The subtractive synth that sounds analogue without pretending to be a vintage model. Two oscillators, one filter, and the modulation section that makes it worth the CPU.
Read →You do not need to open Max to use Max. Six bundled devices - Envelope Follower, LFO, Shaper, Expression Control, Note Echo and MPE Control - that do things Live cannot do otherwise.
Read →Live will import video, show it while you work, and export it with your audio. Enough to score a short film, cut a trailer, or sync a set to visuals.
Read →Automation is a tool that's used by many people to help static parameters develop into more dynamic ones and can really bring your sounds and productions…
Read →The deepest, strangest room in Logic: a virtual wiring diagram of your entire MIDI setup, where data is patched between objects like a modular rig.…
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