Music Production School Summer Camp | Seattle
Camp 1 - Ableton Live
- →For DJs and electronic producers making the leap to producing their own music
- →Use your production software efficiently, to get results fast
- →Synthesis and sound design, to create the sounds you hear in your head
- →The science of recording, so vocals and everything else sound full and professional
- →The art of mixing, and mastering that is loud but still dynamic
- →How to get noticed, and market yourself
Camp 2 - Logic Pro
- →For singer-songwriters and producers of contemporary and pop music
- →Includes the official Apple Logic Pro certification course and examination
- →Use your production software efficiently, to get results fast
- →Synthesis and sound design, to create the sounds you hear in your head
- →The science of recording, so vocals and everything else sound full and professional
- →The art of mixing, and mastering that is loud but still dynamic
- →How to get noticed, and market yourself
In our students' words.
“Taking this course was probably one of the best decisions I have made in my career thus far”
Mandi Perkins
Some Instructors
Before you enrol.
A school iMac loaded with the required software is available to hire for a $149 supplement.
Camp 2, based in Logic Pro - it's aimed at singer-songwriters and pop producers and includes the official Apple Logic Pro certification exam.
No - the camp teaches the software from the ground up, through synthesis, mixing and mastering.
Yes - you'll compose, mix and master your own song by the end of the camp.
Yes - a 40% EDU discount on Ableton; Logic Pro doesn't offer student discounts but is already relatively affordable.
36 hours, available in-person or at a 33% discount for online remote attendance.
Ready when you are.
InquireGranular: Granular Synthesis with Granulator III
Granulator Ill is the latest evolution of Robert Henke’s legendary granular sampler, built with a strong focus on modulation and expression.
Read →Chord ID and Region Chords
The Chord track is in the Logic Pro course. Two things go further: having Logic work out the chords from a recording, and letting one player ignore the…
Read →The Score Editor
Logic will engrave what you played. That is more useful to a producer than it sounds: a chart for a session player, a part for a string player who reads,…
Read →CPU, Disk Load and Track Freeze
What is actually costing you, how to read the meters, and the three moves that fix nearly every performance problem.
Read →Drift: Subtractive, Done Properly
The subtractive synth that sounds analogue without pretending to be a vintage model. Two oscillators, one filter, and the modulation section that makes it worth the CPU.
Read →Multisampling with Sampler
Building a playable instrument out of your own recordings: how many samples, where to put the split points, velocity layers, round-robin, and importing third-party libraries.
Read →