Post Production - Mixing and Sound Design for Film and TV
Post Production - Mixing and Sound Design for Film and TV | LIVE Online
Your Instructor: Herwig Maurer (a.k.a. Agent H)
Post Production - Mixing and Sound Design for Film and TV
36 Hours | $1099 + $100 Registration
Use the ‘CONNECT’ button below to request schedule information for our classes. One of our placement experts will follow up within a business day. For one-to-one lessons, see Mixing and Sound Design for Film and TV Private Instruction, and connect with a specialist on that page.
Seattle students take the Post Production - Mixing and Sound Design for Film and TV in a small group at our studio, or live online in the same session with the same instructor, using our specialist music collaboration software, Muse. The city has a deep electronic and independent music scene, and our teachers are part of it.
Introduction to Audio Post Production for Film & TV:
- →Understanding the role and importance of sound in film and television.
- →Overview of the sound post-production process.
Post Production Sound Theory and Terminology:
- →Understanding the different types of sound (dialogue, Foley, sound effects, music) and their roles
Case Studies and Analysis:
- →Analyzing and discussing sound design in famous film and TV scenes.
- →Learning from successful sound design projects.
Industry Tools and Software:
- →Familiarity with sound editing software like Pro Tools, Sound Miner, etc.
- →Using plugins and audio processing tools.
Dialogue Editing:
- →Cleaning and enhancing dialogue recordings.
- →Syncing dialogue with on-screen visuals.
- →ADR (Automated Dialogue Replacement)
Effect Editing Pt1:
- →Ambience and Atmosphere
- →Immersive soundscapes and environmental sounds
- →Balancing ambience with dialogue and music
Effect Editing Pt2:
- →Sound Effects and Sound Design
- →Using and building Sound libraries
- →“Hard EFX” vs Sound Design
- →Designing and manipulating sound effects to enhance the storytelling.
- →😎 Foley
- →Recording & Editing Foley
- →History of Foley
- →Creating and recording Foley sounds for adding realism and depth to the audio.
- →Syncing Foley with the visual action on screen
Music in Film & TV:
- →The role of music in creating emotional impact.
- →“Source” music versus Score
- →Collaborating with composers
Collaboration and Communication:
- →The Audio Post team – individual roles
- →Working effectively with directors, producers, and other team members
- →Understanding the creative vision and incorporating feedback
Sound Delivery and Format Considerations:
- →Preparing soundtracks for different distribution formats (theatrical, TV, streaming).
- →Complying with broadcast loudness standards.
Final Projects and Feedback:
- →Students work on their audio post projects.
- →Receiving feedback and guidance from instructors for improvement.
In our students' words.
“Lots of one on one, great break down, wonderful teacher. Awesome staff..I cant wait to take a production course to advance what I have learned in this class. Very positive, super supportive. I'm so happy I decided to cont. with my education..201 made everything gel in my brain from the first class especially when I started playing out. It all made sense.”
Bee Cregar
Some Instructors
Before you enrol.
Yes - live online, built for participation: weekly tasks that mirror real-world challenges, and three live playback sessions where you show your work.
Herwig Maurer, also known as Agent H - a Berklee alumnus in sound production and engineering, who collaborated on an Academy Award-nominated film's audio and does sound design on Amazon's Reacher.
The length is in the glance strip at the top of this page, and the tuition for this campus - with the registration fee and any early-booking rate - sits just above the call to action.
Yes - ask admissions about private instruction and we will pair you with a specialist in this subject.
Yes. You work to real film score briefs, including complying with broadcast loudness standards, and finish with your own project and feedback on it.
36 Hours | $1099 + $100 Registration
Ready when you are.
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