
36 Hours | $1099 + $100 Registration
Use the ‘CONNECT’ button below to request schedule information for our classes. One of our placement experts will follow up within a business day. For one-to-one lessons, see Mixing and Sound Design for Film and TV Private Instruction, and connect with a specialist on that page.
Seattle students take the Post Production - Mixing and Sound Design for Film and TV in a small group at our studio, or live online in the same session with the same instructor, using our specialist music collaboration software, Muse. The city has a deep electronic and independent music scene, and our teachers are part of it.
“Lots of one on one, great break down, wonderful teacher. Awesome staff..I cant wait to take a production course to advance what I have learned in this class. Very positive, super supportive. I'm so happy I decided to cont. with my education..201 made everything gel in my brain from the first class especially when I started playing out. It all made sense.”
Bee Cregar
Yes - live online, built for participation: weekly tasks that mirror real-world challenges, and three live playback sessions where you show your work.
Herwig Maurer, also known as Agent H - a Berklee alumnus in sound production and engineering, who collaborated on an Academy Award-nominated film's audio and does sound design on Amazon's Reacher.
The Post Production - Mixing and Sound Design for Film and TV course runs 36 hours. Tuition at Garnish Seattle: 36 Hours - $1099 + $100 Registration.
Yes. The Post Production - Mixing and Sound Design for Film and TV course can be taught one-to-one, in person in Seattle or online, built around your own projects - ask admissions about private instruction.
Yes. You work to real film score briefs, including complying with broadcast loudness standards, and finish with your own project and feedback on it.
36 Hours | $1099 + $100 Registration
Beyond chorus and phasing: ring modulators, frequency shifters, Leslie cabinet simulation and auto-panners, and where each one belongs.
Read →We have discussed the most common modulation effects such as chorus, flanging and phasing. Now it is time to investigate other modulation effects.
Read →How filters shape a sound - low-pass, band-pass, comb and notch - plus resonance, envelope control and using filters creatively in a mix.
Read →By Heinrich Zwahlen The ability to store the state of Macro Controls as preset variations in Racks has drastically increased the functionality of these already...
Read →Recording vocals: DIY vocal booth and pop shield or pop filter: This is about how I record vocals at home with a DIY vocal booth. We cover more on this on the Sound Engineering course. I have a macbook pro plugged up to an apogee duet, pop shield or pop filter, some cables running from my dining roo
Read →There are many ways to access the power of filtering, but probably the easiest is to use a plug-in. Logic’s AutoFilter is a good example of Emagic’s…
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