
Build Beats. Shape Sound. Finish Tracks.
FL Studio has become a go-to DAW for electronic music producers and beat-makers around the world—but whatever your genre, if FL is your weapon of choice, and you want your name on this list of notable users, this course will give you the tools and confidence to have the best chance.
Seattle students take the FL Class in a small group at our studio, or live online in the same session with the same instructor, using our specialist music collaboration software, Muse. The city has a deep electronic and independent music scene, and our teachers are part of it.
Whether you're a complete beginner or already making tracks in FL, this 36-hour course delivers deep, structured training in music production, beat-making, and engineering. We cover every major element in detail, packed with real-world tips and techniques that even experienced users find game-changing. You’ll leave with a solid workflow, polished production skills, and a competitive edge over anyone stuck in YouTube rabbit holes.
Classes are live and interactive—in-person or live online—so you can ask questions and get feedback in the momentwhen you're inspired... or confused. It’s this kind of immediate, practical support that makes in-person learning so effective. Discover qualities that distinguish us, here.
“The course is very friendly and engaging. Any and all questions will be asked with no hesitation or frustration, and it helps everyone else in the class that might have the same question in mind.”
Ryan Conway
Yes, covered - installing and using VST/AU plugins, and even running FL Studio itself as a plugin inside another DAW.
Both - there's a dedicated deep dive into FL Studio's mixing tools alongside the beat-making and arrangement side.
Yes - classes are live and interactive whether you join in-person or online.
Yes - see FL Studio Private Instruction to connect with a specialist.
36 hours as a group course, or 20 hours 1-on-1.
$1499 + $100 Registration if booked 14 days before start or $1799 + $200 Registration
Comping, tone control, mic modelling, de-popping, pitch correction, compression, reverb and delay - the full vocal chain, start to finish.
Read →Whether you’re a budding producer, DJ or a brand new indie artist -- most of the time the focus is purely on the music, and that’s about it. However, soon enough, you’ll realize that there’s much more involved in just putting on music.
Read →The sound of modern drums in rock, pop, and electronic music very rarely embodies the natural range that acoustic drums are capable of. This is most often due to the application of compression, adding punchiness, energy and consistency to a drum track.
Read →What separates a phaser from a flanger, the parameters that matter on each, and how to use them without wrecking your mix.
Read →What a vocoder actually does, the difference between carrier and modulator, how filter bands work, and how to sit one in a mix.
Read →You’ve completed your recordings and now it’s time to put them all together. If you ask any experienced mixing engineer, they will tell you that they have a system they use every time they want to mix a project.
Read →