
Build Beats. Shape Sound. Finish Tracks.
FL Studio has become a go-to DAW for electronic music producers and beat-makers around the world—but whatever your genre, if FL is your weapon of choice, and you want your name on this list of notable users, this course will give you the tools and confidence to have the best chance.
Seattle students take the FL Class in a small group at our studio, or live online in the same session with the same instructor, using our specialist music collaboration software, Muse. The city has a deep electronic and independent music scene, and our teachers are part of it.
Whether you're a complete beginner or already making tracks in FL, this 36-hour course delivers deep, structured training in music production, beat-making, and engineering. We cover every major element in detail, packed with real-world tips and techniques that even experienced users find game-changing. You’ll leave with a solid workflow, polished production skills, and a competitive edge over anyone stuck in YouTube rabbit holes.
Classes are live and interactive—in-person or live online—so you can ask questions and get feedback in the momentwhen you're inspired... or confused. It’s this kind of immediate, practical support that makes in-person learning so effective. Discover qualities that distinguish us, here.
“The course is very friendly and engaging. Any and all questions will be asked with no hesitation or frustration, and it helps everyone else in the class that might have the same question in mind.”
Ryan Conway
Yes, covered - installing and using VST/AU plugins, and even running FL Studio itself as a plugin inside another DAW.
Both - there's a dedicated deep dive into FL Studio's mixing tools alongside the beat-making and arrangement side.
Yes - classes are live and interactive whether you join in-person or online.
Yes - see FL Studio Private Instruction to connect with a specialist.
36 hours as a group course, or 20 hours 1-on-1.
$1499 + $100 Registration if booked 14 days before start or $1799 + $200 Registration
By Heinrich Zwahlen The ability to store the state of Macro Controls as preset variations in Racks has drastically increased the functionality of these already...
Read →How compression works - attack, release, knee and look-ahead - plus noise gates and limiting, and what each is actually for.
Read →The human ear uses compression for pretty much the same reasons that we do in music, that being to control the level of an audio signal. As you may…
Read →The whole mixing process, condensed: zeroing the desk, subgrouping, panning, using your ears, and where ambience fits in.
Read →A Vocoder – name derived from voice coder, formerly also called Voder – is a speech analyser and synthesizer.
Read →Drum Miking Techniques: Recorder Man and Glyn Johns Katie Gilchrest's take on drum miking techniques Many considered the drum set one of the hardest pieces of equipment to mic in a studio. A drum kit is not one instrument, but a collection of multiple instruments, featuring a wide variety of differe
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